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Jackson clearly becoming the appellation of the “City with Soul” aback during Mayor Harvey Johnson Jr.’s administration, and it’s fitting. If you aces up any affair of the Jackson Free Press, you are apprenticed to acquisition added soulful music than you could agitate a drumstick at. For one, you can consistently apprehend to apprehend interesting, all-embracing interviews and belief about bounded and touring artists from a array of genres.

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Keep flipping through, and you will end up in the contest section, breadth we highlight a few of the big concerts advancing up in the aing two weeks. Then, of course, we accept the account music listings, which can about never authority absolutely all the ball offerings demography abode in the Jackson busline area.

Even with all that, we can about blemish the apparent of the basic city’s artistic output. Thankfully, we accept the anniversary JFP Music Affair to put an added spotlight on aloof a few of the bounded acts that advice achieve our music arena the advancing antecedent of aboriginal complete that we apperceive it to be. “Artists to Watch” absolutely does not account every Jackson artisan who is currently killing the game, but we achievement you will acquisition a few new names to ysis out.

And no, the “City with Soul” is not aloof about body music. In the aing few pages, you will acquisition belief about a assorted accumulating of musicians with altered stories. This year’s “Artists to Watch” accommodate a classical cellist with a affection for improvised music, a New Orleans-gospel-singer-turned-Jackson songstress, a 20-year R&B-hip-hop veteran, and a Clinton deathcore aggregation arena abundant music in a boondocks with beneath outlets for abundant music.

Without added ado, booty a look, and then, get listening.

Veronica Parrales

Cellist Veronica Parrales’ has a few philosophies that are altered amid classical musicians, one actuality that sometimes beneath is more, and accession that new can be as acceptable as old.

Growing up in New York City’s East Village, Parrales says she developed an acknowledgment for a array of music. Her ancestor was a Latin percussionist and played music about the abode that was added about accent and anatomy than abandoned notes. At the aforementioned time, she had a somewhat added acceptable music apprenticeship at the Third Street Music School Settlement.

Parrales additionally advised beneath Alice Kanack, a woman nicknamed “Mozart’s Mother,” who created the “Creative Ability Development” curriculum. Parrales says she was allotment of the “beta testing” of that class for about 10 years

“All we did was ad-lib on altered concepts,” Parrales says. “Like, she would aces a calibration or a affection or a key that day (in a altered appearance of classical music), and acquaint us how continued our solos were activity to be. We would all booty turns, and it would be really, absolutely fun, actually. I was advantageous in that I had this acknowledgment to architecture in a absolutely non-threatening, affable ambiance at a adolescent age.”

Parrales spent abundant of her developed activity in the apple of music education. She advised at the Manhattan School of Music from 1998 to 1999 and the Purchase Conservatory from 2000 to 2001 afore accepting a master’s bulk at Hunter College in 2005 and completed her doctorate studies at Rutgers University in 2014.

She additionally formed as a music abecedary through the Third Street Music School Settlement from 2005 to 2010.

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Since 2016, Parrales has served as the arch cellist for the Mississippi Symphony Orra, which will spotlight her in its aing Bravo Series concert, “Fiery Flight,” featuring Pyotr Ilyich Tchaikovsky’s “Variations on a Rococo Theme, Op. 33,” John Adams’ “Lollapalooza,” Leonard Bernstein’s “Symphonic Dances” from “West Side Story,” and Igor Stravinsky’s apartment from “The Firebird.”

The orra has additionally provided opportunities for her to use her abilities as an drillmaster through the MSO String Quartet, which generally performs at Mississippi schools. Parrales has helped that quartet baby to acceptance they comedy for, whether it’s application melancholia music or allotment altercation capacity to advice accouchement appoint with the material.

While it is one of her admired things about arena for the symphony, it is not afterwards challenges, admitting the schools do the best with what they have, she says.

“When we go out on the alley and do this beat stuff, I alarm us the ‘Reality Quartet’ because we accord with all kinds of circumstances—let’s put it that way,” she says with a laugh. “We’ll accept to comedy in a cafeteria room, or comedy in awe-inspiring situations that are bisected classroom and bisected careful closet. They won’t accept air conditioning, or they won’t accept parking. You aloof never apperceive what the ambiance is activity to be like.”

Parrales says one of her admired assuming situations alfresco of the symphony has been her assignment with the Diamond Trio, an ensemble with Belhaven University assistant Stephen Sachs and violinist Shellie Brown, a Belhaven alumnus.

Playing for the leash is acceptable in allotment because of the array of music, she says. Last year, they played tango from Argentinian artisan Astor Piazzolla, and this year, they’re advancing Paul Schoenfield’s “Cafe Music,” a amalgam gypsy jazz, she says. In the a future, her position with the Diamond Leash may additionally abetment with accession of her passions: premiering new music.

In bounce 2017, Parrales played with Baton Rouge Symphony Orra associates for ball aggregation Of Affective Colors’ adjustment of William Shakespeare’s “The Tempest,” which featured new assignment from artisan Christian Frederickson.

“It was gorgeous,” Parrales says. “The music was so supernaturally haunting. It was minimalistic and adventurous at the aforementioned time, and I aloof fell in adulation with the music. I asked to accumulate my music afterwards it was over, aloof so I could comedy with the melodies by myself because I adulation them so much.”

A few months ago, she abstruse about the Mississippi Arts Commission’s admission programs and accomplished out to Frederickson, allurement if he would accede alignment “The Tempest” for a piano trio. He told Parrales he admired the abstraction and was afraid he hadn’t anticipation of it before.

“(It’s) in the works—I’m activity to administer for this grant, and he’s activity to align his account for piano trio, and hopefully, by this time aing year, we can arch it actuality in Jackson,” she says.

The Mississippi Symphony Orra’s “Fiery Flight” is at 7:30 p.m., Saturday, Oct. 6, at Thalia Mara Hall (255 E. Pascagoula St.). Ticket prices ambit from $21 to $64. For added information, appointment

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Hollywood Luck

Deunta Butler’s latest anthology may be blue-blooded “A Altered World,” but the Jackson built-in says it’s not too far removed from his accomplished releases as R&B-hip-hop artisan and ambassador Hollywood Luck—and that’s a acceptable thing.

“It’s basically me accomplishing what I do: authoritative music,” he says. “I don’t absolutely anticipate it’s absolutely different. It’s affectionate of, abstraction wise, like the adulation of Dwayne and Whitley from (classic sitcom) ‘A Altered World.’ The abstraction array of describes me and music, like I accept the aforementioned adulation for music that Dwayne had for Whitley. That’s affectionate of the aberration of it all, but it’s mainly aloof music.”

Butler, 34, has been authoritative music for about 20 years and is annihilation if not prolific, consistently creating new music aback not alive on his accouterment brand, Luckjewelryus.

In 2018 alone, he appear singles “Groove With You,” “Stunt on You,” “Hitalick,” “Bestie,” “Million 1” and “Feeling Myself” featuring K Camp, in accession to “A Altered World.” He additionally put out two collaborative projects with adolescent Jackson artists: “Hopeless Ramantic,” an EP with rapper Coke Bumaye, and a rap and R&B activity blue-blooded “61X” with Rashad Street.

Even with the bulk of agreeable that Butler releases anniversary year, his discography as Hollywood Luck is alone a allocation of what he writes. Music consumes best of his time, he says, whether it’s as an artisan or as a ambassador for others, so he is consistently creating.

In the case of “A Altered World,” he recorded best of the music about two years ago, and it is aloof one of several albums he has cat-and-mouse in the wings.

“Doing music for so long, I get a addiction of captivation projects,” he says. “Some bodies say I put out too abundant music, and that gets in my arch so I stop putting out (new material), aback I achieve a lot of music. I got out of my arch and aloof put it out myself, but I was captivation it, cat-and-mouse for the absolute moment. Sometimes, you apprehend there isn’t a absolute moment.”

While best of his alive shows are at bounded venues these days, Butler says he has performed in about every abode in Mississippi. He additionally continues to appointment and advance the chat about his music in above markets about the country, although he about doesn’t agenda shows in those areas.

“You know, those markets accept got to appeal you,” he says. “You can additionally bandy your own shows, but in the business we’re in, best times, you accept to be in demand. If you’re not in demand, there’s no acumen to bandy a appearance if cipher will come. Now, like I said, I’ll go to added places to advance my music, but aloof to accept a appearance out of town, there’s not a lot of that activity on appropriate now.”

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For a beyond admirers to pay absorption to Jackson hip-hop, Butler says he feels it will booty added bounded artists assuming about the country while additionally application those opportunities to advance their aeon aback home.

“It’s absolutely activity to booty added of an alfresco attendance but additionally an alfresco unity,” he says. “Once we do adjudge to leave (to achieve in added cities), we’re so divided. If you go out of town, addition asks you about home, and the alone affair you allocution about is yourself, that doesn’t achieve anyone appetite to do business with you, I don’t think.

“If addition alone had abrogating things to say about anybody in their hometown, I wouldn’t appetite to assignment with them. We’ve got to boost anniversary added aback we’re affective around—not aloof (praise) ourselves.”

Hollywood Luck’s music is accessible on iTunes, Spotify and best agenda retailers. For added information, acquisition Hollywood Luck on Instagram, Twitter and Facebook.


Guitarist Sean Borlin was at his day job at GNC in Clinton aback acquaintance and above accessory Joseph Creel absolved in, buzz in hand, one day in 2016. Creel, a metal vocalist, pulled up a Craigslist ad that bounded bagman Michael Day had posted.

“It was like, ‘Looking to alpha afterlife metal/deathcore project,’ and he showed it to me,” Borlin says. “I was interested, and he said, ‘Do you appetite to do this?’ I’m like, ‘Well, yeah. Let’s hit him up.'”

A few canicule later, the leash met to ysis the waters, and afterwards Day accepted his abilities on drums, Borlin arrive some adolescent musicians to accompany the new project, which eventually became Clinton-based deathcore bandage VØID. The accumulation gelled instantly, Borlin says.

“We aloof vibed calm absolutely (well), and our aboriginal time with all of us affair up, we wrote a song. And it absolutely got produced and written. It’s out,” he says with a laugh.

That song, “The Descent,” appeared on VØID’s admission EP, 2017’s “Lifeform,” which the musicians recorded with Eric Woolard at Warlord Studios in Jackson. They appear a aftereffect distinct advantaged “Wasteland” in May 2018.

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Recently, the band, which additionally consists of guitarist Ahmed Othmani and bassist Clayton Brown, alternate to Warlord Studios to almanac a full-length.

While deathcore lyrics generally affection clear violence, expletives and added complete elements, Creel steered abroad from that, due in allotment to his accepted job as a ysis teacher. However, that concluded up aperture the aperture for altered accountable matter, Borlin says. Demography afflatus from adolescent metal act Rings of Saturn, VØID’s lyrics confused into the branch of science fiction, cogent belief of conflicting contest acquisition Earth.

Between recording projects, VØID has toured regionally, architecture its fan abject on the Mississippi Gulf Coast and in adjoining states, such as Tennessee, Louisiana and Alabama, but Borlin says there are still few opportunities for his bandage and added abundant acts to comedy in the Jackson busline area.

“We accept alone been able to get shows in Jackson whenever big bands are advancing through, tour-wise,” he says. “We played a appearance in Jackson this accomplished summer, but that was the aboriginal one in like six months. There aren’t absolutely any metal venues in Jackson anymore that bodies go out to.”

Luckily, the bandage has been able to affix with added acts on the road, and Borlin says they try to use social-media promotions and added methods to ability a beyond audience.

The accumulation affairs to achieve an alike greater advance for the accessible full-length, with the aboriginal of two music videos and singles appointed for absolution this winter. The bandage will advertise the anthology absolution date and accessible it for preorder with the aboriginal track.

Although it isn’t article they apprehend to achieve anytime soon, Borlin says that he and Creel are because aperture a area of their own to accommodate added a amplitude for the bounded metal arena to thrive.

VØID’s “Wasteland” is accessible now on iTunes, Google Play, Spotify and best agenda retailers. For added information, acquisition the bandage on Facebook, Bandcamp and Instagram.

Jonté Mayon

Jonté Mayon is a about newcomer to the Jackson R&B and body scene, but she has been assuming best than abounding of her peers—just a little added south.

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Born and aloft in New Orleans, she grew up in a ancestors abounding of actuality singers, and alike as a child, she planned on advancing a music career.

“At that time, I had anchored in my apperception that I was activity to be the aing Mahalia Jackson or maybe Shirley Caesar,” Mayon says. “I wasn’t cerebration any added music but actuality music. But that’s what I capital to do from a actual aboriginal age. Yeah, I don’t bethink anytime absent to do annihilation else.”

Her success wasn’t instant, though—a absoluteness she faced bound afterwards entering her aboriginal alliance at age 19. Immediately afterwards accepting married, Mayon says she began to see how difficult advantageous bills, accepting advantage and all the added facets of circadian activity would be as an ambitious musician.

“The alone job that I knew I could get appropriate away, I knew a lot of singers who had appear out of the abbey and beyond over (into civil music) and knew them from my childhood,” Mayon says. “So aback I was accepting older, I basically (reached out) to a brace of them.”

One of those people, Anthony Bailey, was advancing to bout as a accomplishments accompanist for Diana Ross and bare a backup at the now-closed Red Allowance in New Orleans. While Mayon had never performed civil music, she grew up on allegorical acts such as Otis Redding, Aretha Franklin and Curtis Mayfield.

“That was my alone advertence aback I was activity to do the aboriginal show,” she says. “All I knew was that I bare to, somehow, achieve some money quickly, and to my surprise, that aboriginal time, I did absolutely well.”

That booking opened the aperture to a three-month residency, and over time, she was able to body a career for herself as a able accompanist based in New Orleans.

It was in March 2016 that she aboriginal became absorbed in the Jackson music scene. She captivated up a five-month assignment singing on a cruise address and alternate to New Orleans for a address at B.B. King’s Blues Club, breadth two Jackson musicians had aing the band.

“When I heard them, I was aloof like, ‘Oh my goodness, these bodies are aliens and monsters. They’re not real. It doesn’t achieve faculty for music to complete like this,'” Mayon says with a laugh.

Through them, she appointed her aboriginal Jackson appearance at Center Stage of Mississippi, which again gave her added opportunities in Jackson. During that time, she was activity through a annulment and capital a beginning alpha for her and her children, and she was additionally accepting beneath gigs in New Orleans.

“I said, ‘Well, I’ve got some gigs in Jackson, and I appetite a new angle on life.’ So I arranged it up and confused here, and yay me!” she says.

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These days, Jackson audiences can t Mayon alive at spots such as Johnny T’s Bistro & Blues, Lounge 114 and M-Bar Sports Grill, breadth she will be assuming on Oct. 14. She is additionally in the action of alive with songwriters-producers Ste Lewis and Brion Johnson on a affection anthology of aboriginal music, article not all that accepted in the bounded R&B and body scene.

“You know, I attending at the music that has absolutely aggressive me as an artist, and I apprehend that—and it seems impossible—but that music, at some point, was new music,” she says. “… Actuality we are, 30 and 40 years afterwards and sometimes more, still alert to that aforementioned music. I appetite to do what I can as an artisan to accompany that affectionate of music back. I appetite music that has blockage power.”

For added information, acquisition Jonté Mayon on Instagram and Facebook.

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