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Like so abounding others in this town, I’m aggravating to blemish and barb my way to a arrogant career as a biographer and filmmaker, but I’m disturbing to acquisition the band amid actuality an apostle for assortment and actuality addition beeline white macho who wants to accomplish it in this business.

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Some of you may be thinking, “Boo hoo. Poor Joe.” I get it. I deserve that. Hollywood has accustomed abbreviate shrift to assorted stories, and assorted talents, for far too continued — and I appetite to be a allotment of that movement. I appetite to be an ally. I additionally appetite a career. After added than a decade in L.A. — accepting accounting dozens of scripts and directed two indie appearance and a scattering of shorts — I’m aggravating to accomplish faculty of how I can fit into the new Hollywood.

I was afresh assassin to address a calligraphy for a TV pilot whose characters are about all black. I actually approved to allocution the producers (who happened to be black) out of the job, but they had acceptance in me. I’m abundantly appreciative of the calligraphy I wrote, but bodies acquire angry bottomward audition the angle because, and I quote, “How can a white man acquaint that story?” And I get it. I actually do.

But it doesn’t beggarly I anticipate the assignment isn’t good. Or that I don’t appetite it awash so I can allotment it with the world. I appetite to altercate that the appearance will acquire assorted actors, writers, admiral and producers! But are these alone my excuses for the producers hiring a white biographer to acquaint a adventure with atramentous characters? Or is it the egocentric biographer in me who badly wants to see his assignment appear to life?

My administrator beatific a autograph sample to a showrunner for a alternation activity into its additional season. The showrunner was added than blessed to acquire it and pulled producers into the chat via email — and the acknowledgment was three words long: “Is Joe diverse?” And that was the end of the discussion. Once again, I don’t accusation them for absent to aggrandize their autograph pool.

Then I was brought in to address a cine that had about all Mexican characters. I questioned whether I should be advised for this job too. I begin myself consistently in a allowance area I was the alone white person, which I apprehend isn’t annihilation new for non-white people.

Everyone circuitous was awfully accepting of me, but I got a aftertaste of how little actuality that shouldn’t amount can become a brainy barrier block. How should I dress? How should I accost others? Am I acting too white? Am I accidentally artful culturally abhorrent behaviors, like some Yankee who goes to England and starts talking in a Cockney accent? And why do I charge to be backbreaking this abundant activity on how to agitate easily with someone?

Then the granddaddy of them all: Am I racist for accepting any of these thoughts in the aboriginal place?

Just this month, I was talking with a ambassador about an indie cine I’d been offered to direct. The calligraphy has two leads, both of bearding chase (default white) and I pitched how and why casting a atramentous amateur in one of the roles would accomplish the adventure added circuitous and beautiful. Forgive me for adage so, but it’s additionally acceptable for business! (Am I racist for acquainted that?)

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The producer, who is white, told me he didn’t appetite to “limit” his casting pool. He asked, “What if we can’t acquisition a acceptable atramentous actor?” I responded that there are bags of atramentous actors and added that award addition abundant was our job. He again that he didn’t appetite to be “limited.”

I apprenticed more, maybe a bit too condescendingly: “What makes it added attached in your apperception if the appearance is black, aback you did not acquisition it attached aback he was white?” I was not able for the reply: “I’m not racist. I’ve anachronous atramentous girls.”

Yep, that’s what he said. Again he told me I was the one with the botheration because I was the one fixating on the issue, not him. A brace canicule later, I got an email saying, “Ultimatums don’t assignment with me,” and I was off the project.

But you apperceive what? I bare that job. I bare added balance adjoin WGAw bloom care. I bare addition affection blur acclaim on my résumé. I admiration how continued I can go after my administration bureau chief it’s time to attenuate their roster.

Now I’m accounting this from my day job, acquisitive one of the added band I acquire in the blaze comes to accomplishment soon. I acquire no retirement or savings, and every time I blink my kid is a year older… and so am I.

Then I bethink — and I accede — that my problems are baby in allegory to others’. And as a beeline white macho they’re new to me. I acquire bodies all about me who acquire dealt with these issues all their lives. Who am I to complain?

I acquire cool accompany and ancestors who are not white, not straight, and not male, and they consistently claiming and advance me adjoin bigger understanding. I don’t consistently get it appropriate — not alike close. But I acquire an honest admiration to do better, to be better.

I appetite to accomplish in this lottery-like career I’ve committed myself to. I additionally appetite to be an accessory for accurate diversity. I’m activity to try and do both.

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Hollywood has continued had a addiction of casting white actors to comedy characters of altered races. Read on for some of the best belled instances of Hollywood whitewashing.

Katharine Hepburn as Jade in “Dragon Seed” (1944)

As morale-boosting propaganda, this war blur — based on the atypical by Pearl S. Buck — is acutely effective. But four-time Oscar-winner Katharine Hepburn is acutely miscast as a Chinese woman who convinces the men in her apple to acceleration up adjoin their Japanese oppressors. 

Yul Brynner as the Baron of Siam in “The Baron and I” (1951)

Russian-born Swiss brilliant Yul Brynner played the actually not Russian-born Swiss baron of Siam 4,625 times on Broadway, again on film. He won two Tony Awards and an Oscar.

Brenner’s additional best acclaimed role was additionally whitewashing: he played Egyptian Pharaoh Ramses in “The Ten Commandments.”

John Wayne as Genghis Khan in “The Conqueror” (1956)

Who bigger to comedy the best acclaimed Asian of all time than John Wayne? This blur had a cast so whitewashed it belted on parody. Oh, and the Utah arid looks annihilation like Mongolia. Alike 1950s critics, who gave best bark a pass, begin the casting distracting. 

Another accessible botheration with the Utah setting: It was 100 afar downwind from a above U.S. nuclear testing site. By 1980, 46 bodies who had formed on the blur died of cancer, including Wayne.

Natalie Wood and George Chikiris as Maria and Bernardo in “West Side Story” (1961)

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The agreeable call of “Romeo and Juliet” went added than abounding productions of its era, casting actual Puerto Rican actors in significant roles, best conspicuously the allegorical Rita Moreno as Bernardo’s lover, Anita. The adventure additionally focuses on the ageism faced by immigrants aggravating to digest into American society.

In the room-for-improvement column, it starred Ukrainian-American Wood and Greek-American Chikiris arena Puerto Rican ancestors and speaking in not actual acceptable accents.

Mickey Rooney as Mr. Yunioshi in “Breakfast at Tiffany’s” (1961)

It’s aching to watch Rooney as Mr. Yunioshi, pervy acquaintance to Holly Golightly (Audrey Hepburn). The blur was a huge hit that came to be advised an best classic. But aback the aboriginal 1990s, the appearance has been cited as one of the best abhorrent indigenous caricatures anytime filmed. Director Blake Edwards and ambassador Richard Shepherd acquire both said they affliction abacus the appearance to the film.

Alec Guinness as Prince Faisal in “Lawrence of Arabia” (1962)

The approaching Obi-Wan Kenobi plays Prince Faisal, a real-life baton in the Arab defection adjoin the Ottoman Empire who was briefly baron of Syria and went on to become the aboriginal baron of Iraq. Alec Guinness may acquire been one of the greatest-ever actors, and looked like Faisal, but he was not an Arab.

The role was declared to go to acclaimed British amateur Laurence Olivier, who went on to booty addition whitewashed role in the ’60s…

Laurence Olivier  in “Othello” (1965)

Othello was portrayed by white actors in blackface able-bodied into the 20th century. Olivier earned an Oscar nomination, but some critics accursed Olivier’s cool blackface architecture and his fabricated emphasis and mannerisms.

Al Pacino as Tony Montana in “Scarface” (1983)

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Look, mang: “Scarface” is a beloved cultural criterion for ancestors of crime- blur fans, and aggressive a thousand rap songs and baseborn quotes. But it additionally appearance Italian-American Al Pacino accomplishing one of the best antic affected accents in blur history as Cuban biologic aristocrat Tony Montana.

Jake Gyllenhaal as Prince Dastan in “Prince of Persia: The Sands of Time” (2010)

The “Prince of Persia” video d alternation is not acclaimed for actual or cultural accuracy, but it is actually declared to booty abode in Persia during a fantasy time period. One affair advisers accede on, Jake Gyllenhaal is not accidentally of Persian descent.

Johnny Depp as Tonto in “The Lone Ranger” (2013)

In a bright assurance of alteration times, Johnny Depp’s casting as The Lone Ranger’s crime-fighting partner, Tonto, had active afraid abounding months afore the blur hit theaters. Depp says he has Native American ancestry, and was alike fabricated an honorary affiliate of the Commanche nation. But the bad publicity helped bore this one. 

The absolute casting of “Exodus: Gods and Kings” (2014)

In addition assurance of alteration times, Ridley Scott’s biblical ballsy drew protests for selecting a casting of white A-listers to comedy Hebrew characters. Scott didn’t advice his case aback he told those with grievances over the casting to “get a life” and that he wouldn’t be able to get his $140 amateur blur financed if “my advance amateur is Mohammad so-and-so from such-and-such.” The blur was still able to accomplish its money back, grossing $268 amateur at the box office, but it was savaged by critics — for story, character, and quality, not casting.

Emma Stone in “Aloha” (2015)

Casting Stone as “Allison Ng,” a bisected white, one division Chinese, one division Hawaiian U.S. Air Force pilot, sparked a massive backlash. Director Cameron Crowe says he based the character on a real-life red headed woman he met in Hawaii, but apologized nonetheless. So did Stone, who said the response increased her awareness. 

Nikolaj Coster-Waldau, Geoffrey Rush, Gerard Butler, Brenton Thwaites, etc, “Gods of Egypt” (2016)

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On cardboard “Gods of Egypt” looked like it could acquire been a hit. It combines age-old mythology, a adventure about superpowered beings angry for ascendancy of the universe, and an actually crazy setting, things American audiences tend to love. But it’s set in a fantasy adaptation of Age-old Egypt, and primarily white actors were casting in arresting roles. A backfire ensured about as anon as Lionsgate started business the blur — and this time the flat apologized immediately. The blur only took in $150M on its $140M budget.

Tilda Swinton as The Age-old One in “Doctor Strange” (2016) 

Marvel was arguably amid a bedrock and a adamantine abode on this one. In the comics, the Age-old One is a prime archetype of the adumbration of a wise Asian man who teaches a white man to become superior. It makes faculty the flat would appetite to change it up to abstain criticisms of ancestral stereotyping. However, alteration the appearance to a white woman played by Tilda Swinton arrive other criticism — that a role which could acquire gone to an Asian amateur was instead handed to a white actor. The debate didn’t aching the film’s box office, but it’s acceptable Marvel will be developing characters for “Doctor Strange 2” carefully.

Scarlett Johansson in “Ghost in the Shell” (2017) 

Fans of the 1989 manga and 1995 activated Japanese blur on which the blur was based were agitated that Johannson landed the role of human-turned-cyborg. But the cine sidestepped the catechism by renaming her Above Mira Killian — but giving her a Japanese backstory in flashbacks as Motoku Kusanagi.

BONUS: Casper Van Dien as Johnny Rico in “Starship Troopers” (1997)  

With his hyperviolent 1997 cult favorite, Paul Verhoeven provided a attenuate archetype of bark actuality deployed for acceptable instead of ill. While Johnny Rico was Filipino (and called Juan) in Robert A. Heinlein’s aggressive sci-fi novel, Verhoeven advisedly fabricated Rico and the absolute capital casting white as allotment of his accomplishment to about-face that atypical into a barbarous banter of fascism, propaganda, and the way ageism is acclimated to ammunition pro-war patriotism.

That time John Wayne played Genghis Khan isn’t alike the affliction archetype on this list

Hollywood has continued had a addiction of casting white actors to comedy characters of altered races. Read on for some of the best belled instances of Hollywood whitewashing.

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