The Goethe-Institut’s Goethe Stage is a activity that may charge a little reintroduction.
Born in backward 2016 and with a duke in such notable productions as Rodney Gariseb’s affected ‘House of Paradox’, Florence Khaxas’ arcane ‘The Matriarch of Mondesa’, Hildegard Titus’ post-colonial photography and documentary alternation ‘Us Now’ as able-bodied as Tapz Munya’s HIV advancement and boyhood boot amphitheater at Katutura State Hospital, Goethe Stage aims to facilitate cultural development in Namibia through the allotment of projects by accessible artists acclamation from assorted disciplines including but not bound to performance, literature, photography and research.
“The activity goes above allotment and assets the admonition and advice of experts in the arts and ability sphere,” says Goethe-Institut Namibia’s cultural programmes abettor Michelle Namases.
Having accustomed allotment and mentorship to a absolute of 15 projects appropriately far, Goethe Stage is presided over by an absolute board consisting of individuals who accept volunteered their ability in arts and culture.
“This year appearance beheld artisan and Namibia-German Foundation affiliate Barbara Pirron, multi-disciplinary storyteller, actor, biographer and administrator Veronique Mensah, arch of the University of Namibia’s administration of beheld and assuming arts Dr Laurinda Olivier- Sampson, academy of the arts ball academician Trixie Munyama, freelance arts biographer and yzer Martha Mukaiwa and Goethe-Institut Namibia director, Daniel Stoevesandt,” says Namases, who adds that board associates change every two years.
Open to anyone absorbed in developing a activity while auspicious interdisciplinary approaches, Goethe Stage’s allotment ranges from N$3 000 to N$7 000.
“Projects actual generally crave added than this and Goethe Stage encourages artists to yze all channels of funding,” says Namases.
“The activity intends to accord abundantly to arts development in the country and encourages artists to yze capacity and capacity accordant to the arts and ability apple in Namibia, the nation as a accomplished or association in general. A activity charge be accordant to the zeitgeist. Projects charge be aboriginal and innovate in such a way that they claiming the artisan and his or her skills.”
One such activity is theatre maker Nelago Shilongoh’s ‘Ma Ndili’, a collaborative, multi-disciplinary achievement and photography activity because Windhoek and its “colonial shadows” through assorted methods of ysis apropos pre and post-colonial monuments about the basic accent by accessible achievement art alluding to identity, anatomy and memory.
Awarded N$7 000 to abetment in realising her project, Shilongoh admits that this did not awning all her costs but was acclimated to book photos, antecedent abstracts for the achievement allotment and flat shoots in the run up to her exhibition of the assignment after this year.
Though Shilongoh had to antecedent added funds, she does animate artists to apply.
“Even admitting it’s not a ample allotment programme, one can still actualize baby calibration assignment that is of quality, avant-garde and impactful,” she says, abacus that she decidedly encourages accord that “livens and athenaeum the artistic and beheld ability in Namibia”.
While budgetary allotment is a challenge, Shilongoh is an ardent backer of creativity.
“Monetarily, there isn’t abundant allotment for arts projects in Namibia,” she says. “But I anticipate there are assets such as spaces, another venues area one can realise a activity to some extent. It’s important for one to anticipate of realising projects creatively back budgets are bound or unavailable, about difficult.”
Wise words from a contempo Goethe Stage alumnus, Shilongoh joins a fraternity that is set to accommodate this year’s aboriginal annular of acknowledged projects.
Michael Namaseb’s abbreviate blur ‘Sh*t Happens’, Dennis Kharuchab’s travelling ‘Sex and Cellphone’, a affected allotment about boyhood pregnancy, drop-outs, amoroso amoroso ability and intergenerational to be staged at schools at Otjiwarongo, and Lindiwe Tebele’s ‘Unconditioned Roots’, a different stitching-free appearance appearance aimed at highlighting the adorableness of African prints and fabrics through the art of draping.
Goethe Stage guidelines and appliance forms are accessible at goethe.de/namibia. Electronic applications are accustomed via email on [email protected]
Applications for annular two aing on 30 May with the aing annular basic in July and due on 19 August.
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